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DANCER'S STILLNESS IN PUBLIC SPACE RESISTS THE CHOREOGRAPHY OF THE AUTHORITARIAN MOBILITY

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dc.contributor.authorErsoz, Ayrin
dc.date.accessioned2026-06-27T13:28:17Z
dc.date.issued2014
dc.description.abstractThis research addresses the Erdem Guncliiz's 'standing man' (duran adam) performance act within the framework of discussions on, performance act, public space and capital accumulation. Stillness is explored as an implication of a critique of modern mobility. Also discussed within this context is the still performance act, a mode of resistance which not only opposes the patriarchal governing style, but also creates a different publicness. This paper also covers the two sources of authoritarianism in Turkey: the first one which is locally political, and the second one which is globally economical. Finally, it is elaborat6c1 on how this performance act of stillness in public space is related to these sources of authoritarianism.en
dc.identifier.endpage109
dc.identifier.isbn978-605-5120-97-9
dc.identifier.startpage101
dc.identifier.urihttps://hdl.handle.net/20.500.14981/52961
dc.identifier.wos000469908000010
dc.language.isoeng
dc.publisherDAKAM PUBLISHING
dc.relation.conferencePerforming Arts Conference, PERFORMART '14
dc.relation.ispartofPERFORMING ARTS AND PUBLIC SPACE, PERFORMART '14
dc.subjectpublic space
dc.subjectperformance
dc.subjectstillness
dc.subjectmodernity
dc.subjectauthoritarianism
dc.subjectcapital
dc.subjectTheater
dc.subjectUrban Studies
dc.titleDANCER'S STILLNESS IN PUBLIC SPACE RESISTS THE CHOREOGRAPHY OF THE AUTHORITARIAN MOBILITY
dc.typeProceedings Paper
dspace.entity.typePublication
local.import.sourceWOS

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